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En megabox innehållande alla kända inspelningar från Bob Dylan omskrivna och kontroversiella turné 1966 i USA, Europa och Australien. En 36CD box samt med inspelningar från mixerbordet, CBS mobile recording och inspelningar från publiken. Massor av dessa inspelningar har inte givit ut på suspekta bootlegs. Dessutom ingår en bok med liner notes av Clinton Heylin, som tidigare skrivit om denna turné.<br/><br/>Bob Dylan: The 1966 Live Recordings:<br/>Disc 1 - Sydney, April 13, 1966 (Soundboard recorded by TCN 9 TV Australia)<br/>Disc 2 - Sydney, April 13, 1966 (Soundboard recorded by TCN 9 TV Australia)<br/>Disc 3 - Melbourne, April 20, 1966 (Soundboard / unknown broadcast)<br/>Disc 4 - Copenhagen, May 1, 1966 (Soundboard)<br/>Disc 5 - Dublin, May 5, 1966 (Soundboard)<br/>Disc 6 - Dublin, May 5, 1966 (Soundboard)<br/>Disc 7 - Belfast, May 6, 1966 (Soundboard)<br/>Disc 8 - Belfast, May 6, 1966 (Soundboard)<br/>Disc 9 - Bristol, May 10, 1966 (Soundboard / audience)<br/>Disc 10 - Bristol, May 10, 1966 (Soundboard)<br/>Disc 11 - Cardiff, May 11, 1966 (Soundboard)<br/>Disc 12 - Birmingham, May 12, 1966 (Soundboard)<br/>Disc 13 - Birmingham, May 12, 1966 (Soundboard)<br/>Disc 14 - Liverpool, May 14, 1966 (Soundboard)<br/>Disc 15 - Leicester, May 15, 1966 (Soundboard)<br/>Disc 16 - Leicester, May 15, 1966 (Soundboard)<br/>Disc 17 - Sheffield, May 16, 1966 (CBS Records recording)<br/>Disc 18 - Sheffield, May 16, 1966 (Soundboard)<br/>Disc 19 - Manchester, May 17, 1966 (CBS Records recording)<br/>Disc 20 - Manchester, May 17, 1966 (CBS Records recording except Soundcheck/Soundboard)<br/>Disc 21 - Glasgow, May 19, 1966 (Soundboard)<br/>Disc 22 - Edinburgh, May 20, 1966 (Soundboard)<br/>Disc 23 - Edinburgh, May 20, 1966 (Soundboard)<br/>Disc 24 - Newcastle, May 21, 1966 (Soundboard)<br/>Disc 25 - Newcastle, May 21, 1966 (Soundboard)<br/>Disc 26 - Paris, May 24, 1966 (Soundboard)<br/>Disc 27 - Paris, May 24, 1966 (Soundboard)<br/>Disc 28 - London, May 26, 1966 (CBS Records recording)<br/>Disc 29 - London, May 26, 1966 (CBS Records recording)<br/>Disc 30 - London, May 27, 1966 (CBS Records recording)<br/>Disc 31 - London, May 27, 1966 (CBS Records recordings)<br/>Disc 32 - White Plains, NY, February 5, 1966 (Audience tape)<br/>Disc 33 - Pittsburgh, PA, February 6, 1966 (Audience tape)<br/>Disc 34 - Hempstead, NY, February 26, 1966 (Audience tape)<br/>Disc 35 - Melbourne, April 19, 1966 (Audience tape)<br/>Disc 36 - Stockholm, April 29, 1966 (Audience tape)

The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan's vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. Bob Dylan - Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan's albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more. <br/><br/>The deluxe 5CD edition of the album presents 57 rare Bob Dylan recordings, 54 of them previously unreleased in any format, from 1980-1985. The previously released cuts include two Shot Of Love outtakes: "Let It Be Me" (first released as B-side to "Heart of Mine" International 7" single) and "Don't Ever Take Yourself Away" (first released on Hawaii Five-O: Original Songs from the Television Series). A third previously released recording, "Death Is Not The End" (an Infidels outtake featuring Full Force) first appeared in an edited version on Down In The Groove and may now be heard for the first time in full on Bob Dylan - Springtime In New York (1980-1985).

Popikonen Robyn släpper sitt nionde studioalbum "Sexistential" via Young/Playground. Albumet är Robyns mest extatiska hittills - ljudet av en av den nutida musikens mest inflytelserika artister som hittar hem. De nio lekfulla poplåtarna knyter an till hennes "Body Talk"-trilogi och tillsammans med den mångårige samarbetspartnern Klas Åhlund har Robyn producerat ett<br/>kraftfullt album om känslomässig och biologisk njutning, om begär och mjukhet.<br/><br/>Vare sig Robyn uppträtt tillsammans med David Byrne för att fira Saturday Night Lives femtioårsdag, delat scen med artister som Charli xcx och Gracie Abrams, samarbetat med Charli och Yung Lean eller gjort soundtracket till Acne Studios Parisshow, fortsätter hon att forma populärkulturen på helt unika sätt.

Chez Kane har hunnit släppa två album och har på kort tid lyckas bygga upp en stark och hängiven fanbase. Med sin starkt 80-talsdoftande hårdrock, sin vassa röst och fantastiska låtar<br/>signerade Danny Rexon från Crazy Lixx har hon tagit de melodiösa rockfansen med storm.<br/><br/>Danny Rexon har inte bara skrivat alla låtarna på "Reckless", Chez tredje album, utan även producerat allt och regisserat videorna. Låtarna har superstarka hooks och Kane får visa upp sin fantastiska röst till fullo. Chez Kane kan vara den nya generationens Lee Aaron, Lita Ford och Saraya - en stark kvinnlig hårdrockssångerska med riktigt bra sound.<br/><br/>Sweden Rock Magazines skribenter hyllar "Reckless" som hamnade på första plats i Juryn.

The Boys of Dungeon Lane is not only the 18th solo album to be released by Paul McCartney; it is a collection of rare and revealing glimpses into memories never-before shared along with some newly inspired love songs, from one of the most culturally significant figures of our time. <br/> <br/>With The Boys of Dungeon Lane, Paul McCartney turns the lens inward, revisiting the formative years that shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.<br/> <br/>These extraordinary new songs find Paul in a candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania. These were the years that historians continue to examine, the quiet, unguarded days that unknowingly laid the groundwork for a cultural revolution. Paul visits them not as myths or folklore but as his own memories.<br/> <br/>The album takes its title from one of the many standout tracks which is available now, Days We Left Behind, a stripped-back and deeply intimate track that captures the emotional core of the project. Dungeon Lane is a place Paul still sees when returning home serving as a symbolic gateway to a pre-fame world: afternoons by the Mersey, birdwatching book in hand, "smoky bars and cheap guitars", and dreams not yet lived.<br/> <br/>"This is very much a memory song for me. The album title, The Boys of Dungeon Lane, comes from a lyric in this track. I was thinking just that, about the days I left behind and I do often wonder if I'm just writing about the past but then I think how can you write about anything else? It's just a lot of memories of Liverpool. It involves a bit in the middle about John and Forthlin Road which is the street I used to live in. Dungeon Lane is near there. I used to live in a place called Speke which is quite working class. We didn't have much at all but it didn't matter because all the people were great and you didn't notice you didn't have much."<br/> <br/>As well as being packed with poignant reflections from an artist whose influence is woven into the fabric of our lives, The Boys of Dungeon Lane also includes new love songs in the inimitable instantly identifiable Paul McCartney style. A world without Paul McCartney is impossible to imagine, yet here listeners can travel to a world that existed before everything changed, offering memories never previously shared and revealing, with extraordinary honesty, the human story behind a global icon. This is the story before THE story.<br/> <br/> <br/>About the creation of the album: <br/>The Boys of Dungeon Lane was first brought into existence five years ago when Paul met producer Andrew Watt for a cup of tea and an exchange of ideas. While playing around on the guitar during the meeting, Paul happened upon a chord that even he -- the world's most successful living songwriter -- didn't recognise. Undeterred and driven by his experimental nature, Paul carried on changing one note, then another, until he had a three-chord sequence -- which Watt suggested they should record.<br/>This session yielded the album's opening track, As You Lie There. Encouraged by his new producer, Paul would flesh out the new track, playing the majority of instruments - much in the spirit of his 1970 solo debut album, McCartney. So began the journey of what became Paul's 18th studio album credited solely to Paul McCartney. <br/>Paul's packed schedule meant that the album was recorded in tight and efficient sessions between legs of global tour dates spanning five years and alternating between Los Angeles and Sussex. With no record label pressure and no deadline, the pair were able to make the album to their own timeline and satisfaction.<br/>Like his career, The Boys of Dungeon Lane is musically eclectic and sees Paul across an array of instruments and styles showcasing his broad musicality. There's Wings style rock, Beatles style harmonies, McCartney style grooves, understated intimacy, melody driven storytelling, character songs - the common thread being Paul.

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Deep Purple: Greatest hits 1990-96 [3 CD]